It’s been an exciting process working on The Crucible, one of the most dramatic plays in the American canon. It gave all of us a chance to play characters who live in times much more dramatic than we will (hopefully) ever experience.
The play has stood the test of time for a number of reasons. One is its universality. The fearful mob mentality that overtook the town of Salem is something that has recurred throughout human history. It’s easier to hate what you do not understand than it is to learn acceptance. It’s easier to punish than forgive.
The religious themes of the play also last. The only truly evil characters are the ones who don’t try to find their way to God. Even the misguided judges of the second act are trying to serve divinity in the best way they can.
There are always too many people to thank for their help with this show. Jeanne Passin was wonderful with her help during rehearsals. Laura Cox stepped in to call the show, and is always a ray of sunshine. Renee Ernster is my costuming savior. Thanks to Angela for coming on board at the last minute. President Doug Desorcie is a friend, and a rock whose support I rely on. Thanks to Debbie Linn for helping with costumes and coming in with a bench when no benches were to be found, and to Melissa Drew for providing us with the excellent furniture. And thanks to my house managing co-workers (Kathy, Shannon, Michael, and non-college volunteer Kanute). And the staff of the Civic Center, who make working here a producer’s dream. And my assistant Adam, who makes me look much more organized and competent than I am. And Rudolpho for the program and graphic support.
You’d think with a paragraph that long that’d be everyone, but I know I’ve forgotten people. I hope they’ll forgive me. Enjoy the show.